2019 Bronze Entertainment, Publishing and Gaming | DMA
DMA - Data and Marketing Association

Filter By

Show All
X
Start Contributing
My Contributions
X
X

Connect to

X

2019 Bronze Entertainment, Publishing and Gaming

04 Dec 2019

T-5d8cdde648eeb-the-joy-of-print-hero-image-landscape_5d8cdde648e531.jpg

Agency: OLIVER

Client: The Guardian

Campaign Name: The joy of print

Campaign Overview

The Guardian sought to boost print subscriptions - an area of publishing that has been in steady decline for years.
How could it combat the rise of digital?

Strategy

Hitting high subscription targets was vital to the publication’s turnaround strategy.

Innovative thinking was required to buck the trend towards digital readership.

OLIVER identified the sweetspot of print coverage that appeals to Guardian readers: nostalgia for Baby Boomers, novelty for Millennials - without sacrificing one for the other.

Media was key. Channel-specific iterations of the creative ran across upwards of 16 owned, earned and paid channels to ensure a joined-up approach that reached four main audience groups: lapsed and cancelled subscribers, engaged users, disengaged users and people who had registered interest.

Ad budget was largely spent on Tube card panels for a longer dwell format.

Widespread newsagent POS supported the intiative.

Tagging at a granular level, particularly digital media, provided insights into how the creative worked for each audience.

Creativity

Working mainly across print, the campaign idea seamlessly combined modern with old and taking a cheeky pop at digital publications.
Creative juxtaposed social media against traditional print content.
But here, social media meant sharing the reading experience. Guardian wit was emnployed: “Instantly shareable” was passing a friend a supplement.
“Works with different browsers” showed how different readers could each find something in one newspaper.
The Joy of Print was brought to life by illustrator Amber Day's charming visualisations - including a nostalgic nod to the illustrative style of the famous 1970s book of a similar name.

Results

The campaign was the most successful subscription driver in The Guardian's history.
It resulted in over 8,000 new print subscribers in the first month.
And, despite a price rise during the campaign period, news-stand sales increased to 13,000+ copies above target per week.

The Team

Magnus Thorne, Creative Director, Oliver - Paul Turner, Creative Director, Oliver - Sam Jacobs, Creative Director, Oliver - Rob Kavanagh, Executive Creative Director, Oliver - Sonia Sudhakar, Director of Marketing, The Guardian - Liam Smith, Design Director, Oliver - Alessandro Bianco, Designer, Oliver - Anthony Collier, Motion Graphics Designer, Oliver - Dan Perry, Planner, Oliver - Suzanne Partridge, Client Services Director, Oliver - Iza Pawlowska, Account Lead, Oliver - Joel Midgley, Marketing Manager, The Guardian - Kate Robarts, Marketing Manager, The Guardian - Kate Davies, Head of Brand Awareness, The Guardian - James Fieldhouse, Copywriter, Oliver

Hear more from the DMA

Please login to comment.

Comments

Expand

Copyright DMA 2024 © All Rights Reserved